Category Archives: Book Review

Interview with Paul Tallman about his new series ROGUE DESTINY

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Thanks for talking with me.

I’ve loved imaginative stories since I was very young. From the moment I could hold a pencil, I wrote stories and drew illustrations, creating my own characters and worlds to play in. In grade school, I was always in trouble for doodling in the margins of my books instead of paying attention in class.

As the years rolled by, life and adult responsibilities got in the way of my creativity. But the desire never left me. I dabbled in writing and drawing in my spare time, creating new characters and more fantastical worlds. Eventually, I joined a writing group to learn how to tell a story better. From that, my first book, Rogue Destiny, emerged.

The first spark of an idea that would become Rogue Destiny came to me after I watched an old Chuck Jones cartoon where storybook characters escape from their books to sing and dance with a little cartoon mouse who came into the bookstore to escape the weather. The music wakes up Frankenstein’s Monster, and he crashes their party. I found the interaction between characters from different genres intriguing.

The beginnings of a story formed in my head. What if there was a mystical universe where every fable, myth, story and fairy tale existed as its own world? What if the denizens of these myths could travel to other worlds via rabbit-holes, like the one in Alice in Wonderland?

At the center of this mythic cosmos, there is a city called Rogue Destiny. It’s a never-never land where those escaping their own worlds find refuge and where a heroic band of adventurers, known as the Raconteurs, protected the city from the dark forces that often threatened her.

I’ve always loved the idea of one genre bleeding into another, blending familiar tropes to create something completely new. Star Wars is just Flash Gordon with samurai space wizards. I wanted to create a standalone mythos where all these contrasting elements crash into each other.

Since I have the attention span of a two-year-old, the stories needed to be compelling, and full of high-octane action. If I’m bored with the story, then the reader will be too.

My favorite bit of writing advice is from Brandon Sanderson. He said to “Err on the side of awesome.” So I always look for the awesome in the story. That’s the mantra I write by.

Worldbuilding was a nightmare at times. The Raconteurs travel from one story to another, and I wanted each world they entered to feel real to the reader, like it was a complete story unto itself. That was hard to do at times, but so satisfying when I hit the tone and atmosphere of that particular world. And jumping from genre to genre is so fun, the writing never gets boring.   

Ren B’gatti, the shape-shifting trickster. He’s the protagonist who the story follows through all the books. He doesn’t remember how he ended up in Rogue Destiny or where’s he from, his partner Claymore recruited him into the Raconteurs, to help defend those who cannot defend themselves.

When I first published in 2021, I found many readers dropping off after only a few pages, so something wasn’t working. I realized I had started too far into the story. The original opening showed a trial for one of the main characters. The reader had no vested interest in the character or why he was being sentenced to death. So I decided to go back and write new opening chapters to set the stage for the trial. That worked much better.  

I wanted Rogue Destiny to be my Lord of the Rings, or Star Wars trilogy, so I was way in over my head from the beginning. I’d planned doing this big thick, three volume trilogy that amazed and entertained the world. I figured J.R.R. Tolkien and Brandon Sanderson did it, so how hard could it be? Turned out to be pretty darn hard. Stories of that size tend to take on a life of their own and grow beyond what the author can contain.

Big fantasy books are great. I’ve read dozens of them, but writing something of that size took me forever and as a self-publishing author, you need to keep the new books coming. So, I split the first book in half and rewrote them into stand alone stories.  And for me, that’s a much more practical way to go.

I always imagined Rogue Destiny being for readers as young as nine or ten, depending their reading maturity. But it is also written for an older audience who enjoy a fast-paced portal fantasy story. The levels of violence is nothing more than what we see in Star Wars, Raiders of the Lost Arc, or Lord of the Rings. The themes are about loyalty and duty, but the stakes are high, and characters will die. 

After a mysterious prison breakout, the Raconteurs are forced hunt down the ruler of the criminal underworld, Mordecai Davos, who has disappeared from the city. Rumors swirl that he is on a quest to recover a lost artifact dating back to the origins of Rogue Destiny. Their plan is simple. Find the outlaws, drop the shape-shifting trickster into their midst, and let Ren do what he does best. Once he infiltrates his enemy, everything goes sideways, and Ren awakens an ancient evil that threatens to devour a world.

Each book in the Rogue Destiny saga is a standalone story interconnected to an overall arc that threads throughout the five book series.

Thank you for being on my blog, Paul. Your new book sounds very interesting.

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Interview with V R Friesen, author of Gravity Shattered Series

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Hello V. R.! Thank you for stopping in today. Can you tell us a bit about yourself as a writer?

  1. Thank you for having me! I wrote my very first story when I was just six years old, a few little paragraphs about some kittens. One of my older sisters revealed an amazing thing called quotation marks to show dialogue—blew my mind! No one thing inspired me to be a writer—it was an uncontrollable, innate urge since before I even understood punctuation. Crucially, no one along the way discouraged me. No one pressured, hovered, interfered, or tried to steer my course. They accepted that I was a writer and left me alone to do my thing. That insatiable need to create stories never left me and in the last decade I finally implemented some discipline and dedication and got serious about it.

I recently read your wonderful series Gravity Shattered. Where did you get the unique idea of shattered gravity?

  • I saw a picture on Pinterest, one of those manipulated photos where a girl is asleep in a hallway…on the wall. My “what if” engine went into overdrive. What if gravity didn’t work right? The following deluge of questions and speculations rivalled the Niagara Falls—why? How? Consequences? How would people live? React? Adapt? I wanted my main character to have a direct connection to gravity, beyond just navigating it as a grav-walker (scavenger). Controlling gravity would be an epically cool superpower—almost too cool. I wanted to turn the idea of that superpower on its head and make it so dangerous and uncontrollable that it risks Jasper’s life every time her gravity changes.

It seems like you had fun writing about “broken” gravity. What were some of the unique challenges the characters faced due to it?

  • The biggest challenge for the characters is travelling through the city when it is filled with gravity zones where the orientation of gravity may vary between one step and the next. While it is admittedly difficult to convey at times, I enjoyed thinking through the mechanics of each scene—of walking across ceilings, of climbing “up” perpendicular floors or streets, of leaping the gaps between buildings and slipping on windowpanes. Falling up into the sky is always the biggest danger because even if you stop at the “ceiling” of the zone and “float” in midair, how will you get back to the ground? So of course I made my characters face this very challenge in Gravity Tower!

What was your favorite character in the series and why?

  • Hard to say. I love them all equal—who am I kidding, it’s Grammar. He was supposed to be a minor character, a sullen fighty pack kid who becomes Jasper’s sort-of apprentice. Instead his fierce anger, protective instinct, and heartbreaking vulnerability absolutely stole my heart. Which is why he is now the main character in the follow-on series I’m writing, Children of Gravity.

The scene opens with Jasper, the main character, in a broken gravity zone with her brother and former boyfriend, Merlot. Did you consider having Merlot and Jasper get back together in the first book, Gravity Girl?

  • I considered a lot of things in the years it took me to finish the series. But ultimately, no. Merlot represents a part of Jasper’s past that she needs to come to terms with and a version of herself that she needs to forgive and let go. They always had chemistry but they weren’t very good for each other.

Some poetic lines run through the book.  Are you a poet? If so can you share one of your poems?

  • I went through a phase as a teen where I wrote poems. It taught me rhythm and flow and the joy of playing with words and imagery without the strictures of proper sentence structure, but ultimately I moved on to write longform fiction albeit. However, that poetry phase had a powerful hand in shaping my prose. While I don’t consider myself a poet per se, I do enjoy the whimsy and thematic depth poetry can bring to a narrative.

Why do you consider your books young adult when you explore some very adult themes?

  • Honestly, when I wrote these books, I had no notion in my head of genre or age group. I wrote what I wanted and felt. It was only much later when I was trying to publish and market that I was forced to consider where on a bookshelf my books would best fit. Young adult is not a perfect fit, but Jasper does take a journey of self-discovery and self-acceptance which is a common feature of young adult stories.

On your website, you say that your themes are healing, hope, family, and the search for connection. There is another theme in the book about death. Jasper faces the real possibility of dying if they can’t find a cure for the alien bacteria in her. Moreover, a close friend of hers committed suicide. The book explores how suicide affects everyone around the person who dies. Is there a reason you picked death as a theme?

  • I’d love to say everything I did was intentional, but as is often the case, some themes emerge organically and some themes people point out to me that I hadn’t even noticed. The theme or mood that I was intentional about was one of overcoming regret, mending the mistakes you can and accepting the rest, and forgiving your younger self. Jasper has faced her impending death for a long time and has come to peace with it because it seems easier than living with everything she’s both suffered and done. Deep down she believes that she doesn’t deserve to live. And when she realizes she still wants to live, she’s forced to face some difficult parts of her past. The theme of death is only one side of the coin; the other is the courage it takes to choose living.

I’d like to add: Shortly after the publication of these books I lost my brother to suicide. Choosing to live is not a decision made once. Like my brother, Jasper’s friend fought every day—sometimes every minute of every day to stay alive. She was a warrior, as was my brother, and every day that they lived was a bloody, hard-won victory against a brutal, unseen foe. They were victorious…until one day they weren’t. They didn’t fail, they weren’t weak, they weren’t selfish. They were defeated by an enemy that on one particular day was too strong for them. Jasper is fighting the same battle…but learning to reach out to her friends and family—for healing, hope, and connection.

What writing project are you currently working on?

  • I’m currently working on the follow-up series to Gravity Shattered. The series (and probably the first book) will be called Children of Gravity. It will take place five years after the events of Gravity Shattered and will pick up the story of some of the younger characters (Grammar, Neverwhen) and their friends.

Son of a monstrous warlord father and the woman who shattered gravity—who will he become?

Grammar has spent all eighteen years of his life in a city quarantined for its broken gravity. To his friends he is a fierce and loyal protector, but to everyone else he is a hotheaded troublemaker, with all the dangerous potential of his hated parents. He’s also the last remaining host of a mysterious gravity-controlling alien bacteria—dormant, for now. All he wants is a home and a life free of his father’s shadow. And maybe to kiss his long-time friend, the brash and irrepressible Lieutenant Zanna Kingston.

But now a ruthless bandit army is threatening his home and everyone he loves. After a brutal attack on a nightclub, Grammar finds himself at the centre of an escalating war. To make matters worse, the dangerous, unpredictable power in his blood is beginning to awake, heralding city-wide catastrophe.

He can’t run from his dark heritage any longer. But if he’s not careful, the biggest threat to his home and friends may be Grammar himself.

You offer several free short stories. How would people get on your mailing list and get your stories?

  1. You can join my mailing list on my website

Is there anything else you’d like to share?

  1. Thank you for giving my books a chance! It means a lot to me, and I’ll have more gravity books out for you soon (all fingers crossed)! Also, Gravity Girl AND Gravity Curse, the first two books, will be 0.99 in November for a rare dual sale! Here is the link. Amazon

Thank you for being my guest this month.

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New release of A Verse for Witches by John Hundley

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Yeah, I guess. I’m a guy, 73 years old—uh, make that 74—just had a birthday. I’ve been a computer programmer and a substance abuse counselor in my previous lives. I semi-retired in 2012, working part-time at my counseling job so I could write. Then started writing full-time in 2020 when the pandemic hit, and my employer closed up shop for a while. (You know. One door closes; another opens, and all that.)

I’m an avid hiker and backpacker. (God help me, I love the woods.) I’ve been known to stay up all night playing guitar, and my guilty pleasure is binge-watching K-dramas on Netflix.

I love, love, love to write.

You’ve been writing sci-fi novels with fantasy elements, but this book is all fantasy, can you share why you decided to write a fantasy novel? Can you tell us about your new release A Verse for Witches?

My first series was urban fantasy—werewolves and vampires. Then, I took some of the same characters, who lived supernaturally long lives, into the future for a space opera series.

The new series is still written in the same universe but in the distant past, when human and Fae intermingled. A Verse for Witches begins the tale of an orphan king prophesied to reclaim his throne and a dream-walking witch whose Guild assigns her the task of helping him fulfill the prophecy.

And, along the way, it could be they fall in love.

Well, for anyone who’s read my other books—I know you’ve read some of the Spaceship Huey Adventures, Heidi—you’ll know the character Pieter. He’s a dragon and rogue member of the Fae Protectorate, an alliance of aliens formed on ancient Earth for the purpose of exterminating the human species.

Unlike most of the other dragons and elves, Pieter saw something in us humans that made him think we should be allowed to evolve and eventually reach the stars. In both of my previous series, he’s been working behind the scenes to help us survive and grow.

I’d scattered bits of his origin story throughout the Spaceship Huey novels—and in the Red Wolf Saga series before that—and I wanted to explore it in greater detail. I’d originally decided to tell the story of how he’d created the werewolves to act as protectors of mankind.

But then I asked myself, what made him side with us in the first place?

Turns out, it was this love story between Erin and Tsing—demonstrating our capacity for perseverance and resilience in the face of adversity—that made him decide to help us.

And­—I don’t know—considering the state of our world today, I thought a tale of love would be a good one to tell.

The Song of Tsing will be a trilogy. I’m about halfway through A Chorus of Swords, scheduled for release in summer, 2025. A Bridge to Hearts (hopefully) will be ready the first of 2026.

That will complete Erin and Tsing’s story. After that … I don’t know. We’ll see. There are a plethora of interesting characters cropping up along the way. One or two of them could be involved in a spin-off series.

Yes! Thank you for asking, Heidi. And, actually, you can enter by purchasing the paperback, as well. It’s more expensive, of course—paperback prices are through the roof, these days—but that Ivan Zanchetta cover is gorgeous, so …

I’m offering folks who want to buy the book the chance to win a $100 Amazon gift card—and some $20 gift cards for runners-up—by searching for it using one of my specific keywords, then purchasing it or pre-ordering the ebook.

I’m told that purchasing a book after searching with a keyword affects the ranking of the book for the word—you know, whether it appears on the first page of search results or the last—so I’m using the budget I normally allocate for promotions to gather some information. I’m very curious. I think it’s the computer nerd in me.

Here’s the link for more details, no obligation: https://www.subscribepage.com/vfw_algorithm_contest  It’s also on my website, https://www.johnhundleyauthor.com

I guess I’m what we call a pantser? (Writing by the seat of my pants?) I think that’s the correct term. Most of my ideas come to me while walking in the woods—I might jot a note down on my phone if I think I need to. I do some preliminary outlining—a “W” plotline with high points and low points in the story—but I only have a vague idea how I’m going to get there before I start writing.

After that, I just write and let the characters determine the pace and action. I try to put in a few hours a day—early morning is best. My laptop stays on a desk in my bedroom, so all I need is a cup of coffee to get started.

I begin a session by reading over what I wrote the day before and editing it a bit. I try to end each session in the middle of a scene, making it easier to pick up the next day where I left off. I shoot for at least 500 words a day, which is what I base my production on when I’m scheduling with an editor or something.

For the most part, it’s a lot of fun. Lately, there have been more deadlines to hit and distractions with side projects—like, I’ve got a Kickstarter campaign to manage soon to fund an audiobook version of A Verse for Witches.

Just my gratitude and appreciation for their support of my writer friend, Heidi Skarie. You guys cannot know how much y’all mean to us. Ultimately, you are the ones who bring life to our stories. None of this could happen without you. Give yourselves a pat on the back and a round of applause.

Thank you, Heidi. I appreciate it immensely. As always, it’s been a pleasure talking to you.

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Have you ever thought of going to Mars?

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I recently read Emigration to Mars. My takeaway is I would not want to live on Mars. If we’re going to Mars to find a better atmosphere /environment this isn’t the planet to go to.

Joseph Glass is a science fiction author. He studied colonization on Mars for his novel. This book is based on the research he did with the aid of A.I. and Microsoft Copilot. Each chapter covers one aspect of the colonization of Mars and at the end of the chapter is a series of links to read more about the topic. 

Since I also write science fiction I enjoyed learning about the different aspects of trying to set up a colony on Mars. The planet is not friendly to human life. It lacks an atmosphere that protects the surface from cosmic radiation. It’s further from the sun than Earth and very cold.

There is low gravity, which causes health issues. There aren’t any bodies of water or rivers. There are polar ice caps and water beneath the surface. There aren’t plants or animals. What do you eat?

On top of that, the people leaving Earth face isolation and separation from family and friends.

Glass also goes into aspects like who owns land rights to Mars. Does the colony govern itself? History shows us that mankind has a poor record when colonizing new places. Can the mistakes of the past be prevented?

If you’re fascinated by the idea of colonizing another planet or a science fiction writer, you’ll enjoy reading this book.

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Healer’s Blade by Kyrie Wang

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Healer’s Blade takes place in medieval England in the 11th century during William the Conqueror’s time. The novel is well-researched but deviates to alternative history by adding gunpowder and a tribe that didn’t exist.

What I enjoyed about this novel was how the main characters were all interconnected in unexpected ways. I also liked that none of the main characters were all good or bad. They were all complex and had suffered great losses from the horrors of Williams’s conquest and the following revolts.

The basic story is that William the Conqueror has taken over England, but rules as a tyrant. When he is out of the country, some of the nobles rebel against him.

Aliwayn, a young healer, is caught up in the middle of the revolt. She has every reason to hate King William but she sides with him in hopes of peace for England.

Toby is a knight rebel. He and Aliwayn’s paths cross again and again. They help each other while at the same time are hostile to each other as enemies on opposing sides of the revolt.

The book is fast-paced, especially in the first two-thirds. Aliwayn and Toby go from one life-threatening situation to another. Along the way, they are drawn to each other.

If you like speculative, alternate history books with a touch of romance, you’re sure to love this one.

Here is the blurb about the story.

In a country torn by war, can a young peasant woman change the fate of England?

1075 A.D., nine years after the Norman Conquest.
Eighteen-year-old healer Aliwyn lives in solitude after a series of medical failures leave her alienated from her village. With the rebellion against William the Conqueror rumbling on the horizon, she finds solace in the tranquility of her home.

But when her beloved arrives with the orphaned daughter of a Norman knight, Aliwyn is plunged into the bloody conflict she’s done her best to avoid. One daring escape from enemy arrows entangles her with the revolt’s charismatic young leader, Tobias, and Aliwyn finds herself swept into a dangerous world of rival factions and secret alliances. Faced with mercenaries and renegade knights, she must make difficult choices about treating those she despises.

After she uncovers the fiery secret underpinning the rebellion, Aliwyn is determined to take fate into her own hands and save England from sweeping destruction. Can she find the courage to fight for what she believes? And can she resist the magnetic charms of the man she has vowed to defeat?

Step into a riveting and magic-free YA fantasy adventure with an authentic historical setting and a dash of irresistible slow-burn, enemies-to-lovers romance. Set in a turbulent medieval England rocked by the early introduction of gunpowder and populated by Celtic-inspired forest tribes, Healer’s Blade is a page-turning read that’s perfect for fans of alternative history.

Kyrie Wang

About the Author

Hailing from the unpredictable snowstorms of Quebec, Canada, Kyrie Wang’s a medical mystery detective (fancy words for “pathologist, MD”) by day and a dreamweaver of historical fantasy by night. Pencil on paper makes her cry and laugh, and every book she writes is living another life!

She has a PASSION for crafting stories that explore the humanity common to us all. Where people find their authentic selves, goodness prevails, and the forgotten and voiceless rise as heroes.

Somewhere between sleuthing with her microscope and crafting hamster toys with her daughter, Kyrie sits down and types. You’d never catch her without (quality dark) chocolate in her bag. She would bike in Canadian January to a froyo store.

Just ask her best friend of 11 years- she was the cashier!

Here is a trailer for Healer’s Blade.

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Peace Like a River

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What Makes a really good book?

Recently my husband brought home Peace Like a River by Leif Enger from a Little Free Library. It looked familiar and I opened it up and started reading it. I had only read a few paragraphs when I realized it was written by a really gifted writer.

Curious, I went to Amazon where I saw that it was a best-selling novel with 2,649 ratings and had reviews from major newspapers. The San Francisco Chronicle said, Peace like a River is a book that serves to remind us why we read fiction to begin with.”

That got me thinking about what makes a good book. What qualities does a really good book have that draws you into the story world and keeps you there? What makes you want to spend time with the characters? What challenges and moral decisions does the character have to face? What universal theme is the author exploring?

Peace Like a River is narrated by an eleven-year-old boy, Reuben, who is asthmatic and believes in miracles. The story is set in my home state of Minnesota and takes place in 1961. Reuben witnesses a terrible event that threatens to destroy his family.

The writer shows the love between the family members and the events that lead up to tragedy when the oldest son takes the law into his own hands. I pondered the morality of what happened as I read the book.

The father is a religious man, always reading from the Bible, and miracles surround him. It’s could be classified as religious, speculative fiction, or magical realism. Regardless of how the novel is classified, the writing is exceptional: lyrical and beautiful.

Novels like this are why we read. We don’t read just to be entertained but to go on a journey with the characters. We see something we didn’t see before, experience things from someone else’s perspective, and gather our own conclusions about right and wrong.
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